Since finishing my “Dresden Plates” quilt, I have poured sewing time into finishing my “Garlic Knots” quilt. You can read about the beginning of this project and a strip piecing hack here. The patchwork block was popularized by Bonnie Hunter in an “Addicted to Scraps” column for Quiltmaker (Jan./Feb. 2014 issue). I saw this arrangement of blocks on Pinterest which motivated me to make the quilt.
I had about 3 yards of the shirting background fabric and so decided that my total of blocks would be determined by the amount of background fabric on hand. Fortunately, the fabric stretched for making 100 blocks and an inner border. As usual, I auditioned fabric for the outer border and settled on this wavy stripe. It forms a dark frame around the multi-colored patchwork blocks, achieving a calming finish, yet the unusual orange and white stripes add zing.
Construction Tip: Before adding the inner border, I turned the quilt to the wrong side and stay-stitched 1/8″ from the edge all around the quilt. By turning the quilt over, I could see all the pressed seams. The stay-stitching ensured that the pressed seams would not flip out of place when I attached the first border.
Surprises: I usually think of Civil War fabrics/quilts as a bit faded with muted colors. Intellectually I know that quilters of that generation selected bright colors that have merely faded over time. But practically, I expected this quilt to look faded even though I selected CW reproduction fabrics. Silly me! However, I do like the bright, bold appearance of the quilt, so it’s a keeper. Another surprise was the way the wavy stripes misbehaved in the mitered corners of the outer border. I expected the stripes to mesh in an orderly fashion as they would in a mitered border of straight stripes. Instead the corners of the outer border are a riot of zigs and zags!
I was tempted to quilt an all-over feathers design with an old gold polyester thread as I did on my recently finished Dresden Plate quilt. However, the gold thread would contrast too much in the dark navy stripe-y border. I want the viewer to appreciate the unusual border fabric without being distracted by gold thread. The solution was quilting rounded, back and forth lines about an inch apart with navy thread in the border and meandering with the gold thread in the quilt’s interior. The binding is solid black, an understated finish for a vibrant quilt.